Dance with Passion - Follow the Music !
Brazilian/Latin Zouk
Latin Dances
Latin Dances


This is just a very brief summary on the background of some of the Latin Dances that we have performed (in some cases many years ago..-;) - now being focussed on Brazilian Zouk) and/or that have been influential on our dance style - one of the others (not described closer here) obviously being LatinBallroom.


Salsa                                

Salsa steps currently being danced to salsa music come from the son, but were influenced by many other Cuban dances such as Mambo, Cha cha cha, Guaracha, Changuí, Palo Monte, Rumba, Abakuá, Comparsa and sometimes Mozambique. For both men and women incorporating styling techniqes such as shines, leg work, arm work, body movement, spins, body isolations, shoulder shimmies and rolls, and even hand styling have become a huge trend in the salsa scene. Hip hop, jazz, flamenco, belly dancing, ballroom, break-dancing/pop and rock, Afro Cuban folkloric dances,..are all applied in the art of styling. Like with other dances, dance styles are often associated with their original geographic area that developed that style. There are often devotees of each of these styles outside of their home territory. Characteristics that may identify a style include: foot patterns, body rolls, movements, turns, the way that partners hold each other, the beat chosen to dance the break step,.... Some of the most well known styles are:

Los Angeles style, a newer version of Salsa said to be based on New York style, Cumbia and West Coast Swing. Danced 'on 1' and widely spread across Europe, Asia, US and Australia. Well known dancers include Albert Torres, Laura Canellias, Joe Cassini, Francisco Vazquez and his brothers Johnny and Luis (who as mentioned have not only taught Tania some salsa but who have been a huge inspiration to her for many many years), Alex da Silva and Josie Neglia.

New York and Puerto Rico style, mainly found on the East Coast of North America, Puerto Rico, and the Dominican Republic. Danced 'on 2', sometimes also referred to as Mambo. Well known dancers include Eddie Torres or Frankie Martinez.
  

Casino, mainly danced in Cuba and Miami, but also popular in Europe and China. Danced either on the down beat ("a tiempo") or the upbeat ("a contratiempo").

Rueda, developed in Havana Cuba, danced with one person calling out moves and many others dancing in a circle swapping partners to that.

Cumbia, mainly danced in Central and South America, can be danced to Salsa or Cumbia music.

Cali, mostly danced in Cali, Colombia.

 

 

Salsa on stage with the world famous Oscar de Leon band - one of the greatest Salsa bands in the world! I feel honoured to have been able to be and dance there....

 

 

 

 

 


Tango Argentino

Argentine Tango originated in Argentina and Uruguay.  Ballroom Tango is a later derivation of this dance. As many dances, Argentine Tango consists of a variety of styles which developed in different regions and eras. Even though the present forms developed in Argentina and Uruguay, they were also exposed to influences reimported from Europe and North America. There are records of 18th and early 19th century tango styles in Cuba and Spain while there is a flamenco tango dance that may share a common ancestor in a minuet-style European dance. Consequently there is a good deal of confusion and overlap between the styles as they are now danced - and fusions continue to evolve.

Argentine tango is danced in an embrace that can vary from very open, in which leader and follower connect at arms length, to very closed, in which the connection is chest-to-chest, or anywhere in between. Close embrace is often associated with the more traditional styles, while open embrace leaves room for many of the embellishments and figures that are associated with 'Tango Nuevo'. Argentine Tango relies heavily on improvisation; although certain patterns of movement have been codified by instructors over the years as a device to instruct dancers, there is no "basic step." Musicality (i.e. dancing appropriately to the emotion and speed of a Tango) is an extremely important element of this dance too. A good dancer is one who makes you see the music.


Samba

The Samba music rhythm has been danced in Brazil since its inception in the late 19th century. Its origins include the Maxixe. Importantly, there is actually ‘a set’ of dances, rather than a single dance, that define the Samba dancing scene in Brazil. Thus, no one dance can be claimed with certainty as the "original" Samba style. Another major stream of the Samba dance besides the Brazilian Samba dancing styles is Ballroom Samba which differs significantly. The internationally most famous and well known Samba style is Samba no pé. However, in Brazil Samba Axé is just as popular, if not even more. Other common types of Samba mostly danced in Brazil are Samba de Gafieira and Samba Pagode.

Samba no pé

Samba no pé is a solo dance that simply follows the beat of the music and can go from average pace to very fast. Samba no pé is the type of Samba one sees in the worldfamous Brazilian Carnival parades and in other Samba carnivals all over the world.

Samba Axé

Samba Axé is a solo / line dance that started around 1992, during the Brazilian Carnival season in Bahia when the Axé rhythm replaced the Lambada. For years it became the major type of dance for the North East of Brazil, especially during the holiday months, before spreading out all over Brazil and internationally. The dance is completely choreographed without any formal set of steps and the movements tend to mimic the lyrics. It's a very energetic kind of dance that mixes elements of Samba no pé and aerobics - kind of a 'Brazilian Macarena' . Therefor several Axé music groups such as "É o Tchan" have as part of their marketing strategy to always release a choreography together with every one of their songs; Some Axe choreographies also contain or are based on Afro movements (especially Olodum choreographies - Olodum being an internationally known music group from the North East of Brazil, also credited with having developed another style of Samba called Samba Reggae. Their music is tied to its African roots via the use of percussion instruments. Olodum was also part of one of Michael Jackson's music videos ('they don t care about us').

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Samba de Gafieira

Samba de Gafieira is a partner dance considerably different than the International Ballroom Samba. It appeared in the 40s and it gets its name from

the 'Gafieira' - popular urban nightclubs of Rio de Janeiro at that time. The dance derived from the Maxise and followed the arrival of the Choro (another samba musical style). It left most of the Maxise's Polka elements behind but maintained the entwined leg movements of the Argentine Tango, although adopting a more relaxed posture than the latter. Many see this form of Samba as a combination of  Waltz and Tango. Several Brazilian dance studios use elements and techniques from these two dances to teach Samba de Gafieira steps and dance routines. Since its early days Samba de Gafieira has also started to incorporate some acrobatic movements and has overall evolved to become one of today's more complex dancing styles of Samba in Brazil.

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Samba Pagode

Samba Pagode started in Sao Paolo and is another Samba partner dance that resembles the Samba de Gafieira but has less acrobatic movements.

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*Source: Wikipedia (shortened)